Launched by Sandy Tinsley in 1974 with little more than a desk and a dream, Tinsley Advertising has evolved into one of the most respected agencies in the Southeast, with an enviable roster of regional, national and international clients, and some of the best creative and strategic thinkers in the business. And in an era of conglomeration and consolidation, Tinsley Advertising remains lean, nimble and fiercely independent.
Tinsley Advertising is a full-service advertising agency driven by strategic insight, powered by creative ideas, committed to quality and integrity, and dedicated to achieving our clients’ objectives. Whether your brand or product goals are local, regional or national in scale, we can accommodate your marketing needs. Our philosophy is simple. We actually like what we do. And for the most part, we like each other and our clients like us. We’re not slaves to trendiness and we’re not jaded. We believe that most advertising is either condescending or invisible, but occasionally there are ads that make you laugh, make you think or make you feel something. Those are the kinds of ads we do.
Sandy Tinsley is not your typical adman. She’s not a New Yorker, she doesn’t use words like “synergy” and “think outside the box” and she’s not even a man. But Sandy Tinsley has built one of the Southeast’s leading full service ad agencies from the ground up.
It’s hard to believe it’s been twenty years since John first joined Tinsley. As an avid runner, John doesn’t tend to stay in one place for very long. But he’s been running Tinsley’s Florida Keys & Key West account team since 2001, and he’s helped us cover a lot of ground through some of the toughest circumstances anyone could imagine, 9/11, countless hurricanes, and of course, The Great Recession.
If you ever find yourself in trouble on “Who Wants To Be A Millionaire”, make sure you save Dorn for last as your “phone a friend.” There’s nothing this guy doesn’t know. And even if there is, he’s so convincing, you’d never know it.
As Marketing and Advertising Director for Tasco, Rick was responsible for that U.S. brand’s pre-eminence in the optical category, beating the Japanese at their own game. But his expertise is not telescoped into one category. His strategic planning has covered such diverse areas as packaged goods, hard goods, import/export, travel and tourism.
Sofie came to Tinsley in 1984… yes, 1984. And she’s been an integral part of the Tinsley team ever since. Most people need a little coffee in the morning for their daily jolt, but not Sof.
After graduating from Drew University in 2003, Casey began working at Tinsley in 2005. It is often said that bookeepers are well balanced and nothing could be more true of Casey. When she’s not balancing the books, she’s balancing on her head, literally.
Scott began his advertising career in New York, first with Grey Advertising and then Foote, Cone & Belding, where he planned and bought media for Clients like Kraft/General Foods, Colgate-Palmolive and Frito-Lay.
A veteran of the Madison Avenue rat race, Eric escaped from New York and showed up on our doorstep 12 years ago, and he’s been here ever since. (well, except for an extraordinarily brief stop at “the-agency-which-must-not-be-named.”)
Statistics say the average person will have anywhere from 5 to 15 jobs over the course of their career. Lucky for us, and our clients, Nancy Stern is anything but average. Nancy arrived at Tinsley Advertising in 1983, fresh out of The University of Miami, and she’s been quietly toiling away in our media department ever since.
One day, some years back, this guy showed up at the office. He said his name was Rick and that he was the new writer. None of us had heard anything about it. But, to make him feel welcome, we gave him all the work we had. That turned out to be a stroke of genius.
Named for the mythical Greek God of digital photo retouching and exceptional art direction, Uly walked into our offices several years ago and virtually revolutionized the Agency’s graphics capabilities.
Born in the Downriver Detroit area Peter was considered genius level IQ at Palmer Park nursery school. This would serve him well at his first agency position helping implement the Nikon Image management system for Greenstone Roberts Advertising Coconut Creek.
As a superbly organized person, Kathy works with perhaps the most disorganized people in the world: the Creative Department.
Lisa counts herself among that rare and unusual species: The native Floridian. Born and raised in Miami Beach, Lisa considers herself an honorary “Conch” by virtue of her frequent family car trips to the Keys. As Tinsley’s very first producer, Lisa grew her career, had a great time and won her share of Addys, Emmys and Angels.
Jennyfer Albo has been around the block. Literally. Today you’ll find Tinsley’s Production Manager behind the wheel of her shiny black Mini Cooper, off to yet another press run (likely stopping to buy another bottle of Aveda hair gel along the way).
One part Manolo Blahnik. One part Tony Hawk. Danielle Salman is as comfortable on the good side of the velvet rope as she is shredding on a skateboard. And she manages to do both with a megawatt smile and impeccably manicured nails.
While most people complain about having too much on their plate, Tinsley Account Executive Michelle Tannebaum can’t get enough. Food, that is. Delectable, over-the-top, mouth-watering cuisine.
In the advertising business, grace under pressure isn’t something you come across every day. Then again, neither is someone as genuine and genial as Account Executive Karen Piedra.
When Korryn Warner joined Tinsley Advertising as a Studio Artist some 10 years ago, we knew it wouldn’t last long. In fact, her business card was barely dry before she was promoted to Senior Art Director.
One part Amelie, one part Heidi, French-born, Swiss-raised Vanessa Burguiere brings a wonderfully quirky, delightfully European sensibility to Tinsley Advertising.
What do fly-fishing mountain streams, a fascination with the cosmos and a Mac laptop all have in common? Tinsley Senior copywriter Mark Slatko, for one.
Y’know the old saying: “If you let something go and it comes back…then it was meant to be”? Well, that’s sort of how we feel about Lauren. She came to Tinsley as a summer intern while she was still a Design student at Syracuse University.
Whoever coined the phrase be careful of the quiet ones could easily have been referring to Tinsley Art Director Joshua Guilfoyle. Because while Joshua isn’t the most vociferous member of Tinsley’s creative department, his work takes no prisoners.
If you’re ever fortunate enough to meet Julian, don’t just shake his hand. Shake the whole guy. Because one thing is certain: The man cannot be rattled. Julian is the calm in the eye of the storm that is Tinsley’s art studio.
From the moment we received their proposal it was clear that Tinsley understood the value of making a “stand out” first impression. In this highly competitive market you only have one chance and it better be on point. We need the right people to deliver our message in a highly creative and impactful manner. That’s why we chose Tinsley.
We were confident that Tinsley understood who Holy Cross was and would faithfully tell the story of what sets Holy Cross apart from other health care providers in our market. We congratulate them for the Healthcare Marketing’s acknowledgement of their efforts on our behalf.
Tinsley and The Florida Keys & Key West have consistently won Henrys and multiple finalist awards each year since the inception of the competition 16 years ago. Our marketing programs continue to be recognized as among the best in Florida, but even more important is the effectiveness in developing sustainable tourism for the Keys.
We spent about a year and interviewed 10 agencies. Tinsley was the only agency that ‘got’ our brand, and our mission for the future.